Later text
And the angel carried me away in the Spirit into a wilderness, where I saw a woman sitting on a scarlet beast that was covered with blasphemous names and had seven heads and ten horns.
Intertextuality Pair
Allusion
Later text
And the angel carried me away in the Spirit into a wilderness, where I saw a woman sitting on a scarlet beast that was covered with blasphemous names and had seven heads and ten horns.
Earlier text
This is the burden against the Desert by the Sea: Like whirlwinds sweeping through the Negev, an invader comes from the desert, from a land of terror. A dire vision is declared to me: “The traitor still betrays, and the destroyer still destroys. Go up, O Elam! Lay siege, O Media! I will put an end to all her groaning.”
Isaiah 21:1-2 opens the oracle "against the Desert of the Sea" — a cryptic designation for Babylon — with a vision of dire judgment coming like whirlwinds sweeping through the Negev. John's being "carried away in the Spirit into a wilderness" (erēmon) to see Babylon parallels Isaiah's desert-wilderness setting for the Babylon oracle. The juxtaposition of wilderness and the opulently adorned woman creates a deliberate ironic contrast: the desert setting underscores the desolation that awaits. Isaiah's oracle culminates in the cry "Fallen, fallen is Babylon!" (Isa 21:9), the very words repeated in Revelation 14:8 and 18:2. John's visionary transport to the wilderness for the Babylon vision also contrasts with his later transport to a mountain for the New Jerusalem vision (21:10), creating a literary and theological antithesis.