Later text
And all who were distressed or indebted or discontented rallied around him, and he became their leader. About four hundred men were with him.
Intertextuality Pair
Later text
And all who were distressed or indebted or discontented rallied around him, and he became their leader. About four hundred men were with him.
Earlier text
Judges 11:1BSB
Now Jephthah the Gileadite was a mighty man of valor; he was the son of a prostitute, and Gilead was his father.
Earlier text
Judges 11:3BSB
So Jephthah fled from his brothers and settled in the land of Tob, where worthless men gathered around him and traveled with him.
Both Jephthah and David begin as rejected men who attract a band of society's marginal. Jephthah, "the son of a prostitute" (בֶּן־אִשָּׁה זוֹנָה, ben-ishah zonah, Judg 11:1), is expelled by his half-brothers and flees to Tob, "where worthless men gathered around him and traveled with him" (Judg 11:3); at Adullam, "all who were distressed or indebted or discontented rallied around him, and he became their leader" (1 Sam 22:2). The two texts share no marginalization vocabulary — Jephthah's band are אֲנָשִׁים רֵיקִים ("empty men"), David's are the distressed (מָצוֹק), the indebted (נֹשֶׁה), and the bitter of soul (מַר־נֶפֶשׁ) — so this is not a verbal parallel or citation. What binds the pair is shared social geometry: the same divinely-patterned situation told in wholly different Hebrew words — a leader rejected by his own, gathering the dispossessed, and made head of those who once had no place — marking Judges 11 and 1 Samuel 22 as successive instances of the rejected-then-exalted Longitudinal Theme (Joseph → Moses → Jephthah → David → Psalm 118:22 → Christ, the Stone the builders rejected, Acts 4:11). The connection binds at the level of God's characteristic ways (Analogy): God consistently raises His deliverer from among the cast-out, and builds a people around him from those the world discards (cf. 1 Cor 1:26–29). The pattern's christological weight sits at Psalm 118:22 and its apostolic retrieval, not in either narrative taken alone.